COLL “Microscopic Life in 20th- and 21st-Century Performance” – 15 March
“Microscopic Life in 20th- and 21st-Century Performance”
La vie microscopique dans les arts vivants des XXe et XXIe siècles
15/03/2024
Fondation Maison des Sciences de L’Homme
54 Bd Raspail, 75006 Paris
Le Comptoir (1er étage)
8.45 Bienvenue: Gisèle Séginger, directrice du programme Biohumanities
9.00-10.15 Panel 1
– Violaine Heyraud (Sorbonne Nouvelle) : « Le microbe dans les intrigues du théâtre de Grand-Guignol (1905-1930) : agent ou instrument ? »
– Daniel Ibrahim Abdalla (University of Liverpool), “‘A Strange and Secret Thing’: Staging Heredity in the Harlem Renaissance”
10.45-12.00 Panel 2
– Patrick Armstrong (Cambridge University), “Samuel Beckett’s Magnifiers”
– Kirsten E. Shepherd-Barr (University of Oxford), “Reactivating Plays through the Microscopic Imaginary”
– Elisabeth Darrobers (Sorbonne Université) and Wallerand Bazin (University of Oxford), “Screening the probiotic: Jumping microbial and geomorphic scales on stage”
13.30-14.30 Panel 3
– Martin Grünfeld (University of Copenhagen), “Notes from a museum underground: on the tiny agencies of mushrooms metabolizing objects, agencies and research processes in transdisciplinary multi-species collaborations”
– Diya Mehta and Claire Nettleton (Benton Museum of Art, Pomona College), “Microculture: Microbial Performances at the Benton Museum of Art at Pomona College”
14.45-16.00 Panel 4
– Marcela Moura (Sorbonne Nouvelle and UNIRIO), « Analyse systémique des interactions au sein de la performance ‘From plankton to human bodies : the dance of interacting types’ »
– Lois Oppenheim (Montclair State University), “Interoception and Reception: Performing and Viewing the Language of Gaga in ‘Naharin’s Virus’”
– Rosa Postlethwaite (Coventry University and Aarhus University), ““Solos” with Sourdough: Dramaturgy with microscopic living entities”
16.30-17.45 Panel 5
– Amandine Mercier (Université d’Artois), « Mise en scène, incarnation et dramaturgie de la vie microscopique : projections des gamètes mâles sur les scènes du théâtre de Romeo Castellucci »
– Alison Humphrey (York University), “Embodying the Uncanny in Shadowpox: The Cytokine Storm”
– Tarsh Bates (Umeå University), “Microbial sense-ability: olfactory art, metabolism and queer microperformativity”
This conference is part of the BioCriticism project (https://biocriticism.hypotheses.org/), and is supported by the FMSH “Biohumanities” programme, the Institut Universitaire de France and the Sorbonne Nouvelle.
OpenEdition vous propose de citer ce billet de la manière suivante :
Bénédicte Meillon (12 mars 2024). COLL “Microscopic Life in 20th- and 21st-Century Performance” – 15 March. Écopoétique. Consulté le 11 novembre 2024 à l’adresse https://doi.org/10.58079/w05f