COLL Programme colloque Lawrence Nanterre 25-26/04/24
The 37th D. H. Lawrence Conference will take place at Université Paris Nanterre on April 25 and 26, 2024.
Scholars, students and Lawrence fans welcome: free admission and no registration needed. Please note that the conference will not be available on Zoom.
For more details, visit: https://crea.parisnanterre.fr/colloques-et-journees-detude/37th-international-d-h-lawrence-conference-acoustic-awareness
PROGRAMME
37th INTERNATIONAL D. H. LAWRENCE CONFERENCE
Acoustic Awareness in Lawrence’s Work
25-26 April 2024
(Max Weber Building, room 2)
Thursday 25 April
9.00 Registration and welcome
Morning sessions
Chair: Shirley Bricout
9.30-9.55 Jane Costin independent scholar, UK. “‘In the beginning was rhythm’ – and art!”
9.55-10.20 Adam Parkes Full Professor, University of Georgia, USA. “‘– – – – – – –’: Doing Dashes in Different Voices”
10.20-10.45 Keith Cushman Professor Emeritus, University of Greensboro, USA. “Listening to Studies in Classic American Literature”
11.15-11.40 Alexander Sheldon PhD candidate, University of Georgia, USA. “The Last Name: Sound, Style, and Affect in D. H. Lawrence’s The Rainbow (1915)”
11.40-12.05 Michael Bell Professor Emeritus, University of Warwick, UK. “Hearing Voices”
Afternoon session
Chair: Adam Parkes
2.30-2.55 Shirley Bricout Senior English Teacher, Université Paul-Valéry Montpellier 3/ EMMA, France. “Sounds of the Uncanny: Lawrence’s New Version of the Gothic in a Selection of Short Stories”
2.55-3.20 Marina Ragachewskaya Full Professor, Minsk State Linguistic University, Belarus. “The Deaf Sentence in ‘The Last Laugh’”
Friday 26 April
Morning sessions
Chair: Keith Cushman
9.30-9.55 Khawla Bendjemil Associate Professor, University of 8 May 1945, Guelma, Algeria. “Sonic Landscapes of Ecological Harmony: Exploring Auditory Ecology in D. H. Lawrence’s The Rainbow”
9.55-10.20 Terry Gifford Full Professor, Bath Spa University, UK. “‘The Sound of the Greater Day’ in ‘The Flying Fish’”
10.20-10.45 Abhik Mukherjee Assistant Professor, XIM University Bhubaneswar, India. “‘bello! bello! bellezza!’: A Very Conflicted Modern Soundscape between Dazzling Display of Life and True Tune of the Cosmos in D. H. Lawrence’s Etruscan Places”
11.15-11.40 Howard J. Booth Associate Professor, University of Manchester, UK. “‘The voices of people cried night and day’: sound, political change and the hymns in D. H. Lawrence’s The Plumed Serpent”
11.40-12.05 William Holbrook PhD candidate, University of Cambridge, UK. “Kangaroo’s dumb democracy”
Afternoon session
Chair: Jane Costin
2.30-2.55 Susan Reid Independent scholar, UK. “‘Hard to hear’: Sound, sense and voice in D. H. Lawrence”
2.55-3.20 Mykyta Isagulov PhD candidate, University of Exeter, UK. “Soundscape of Movement: On Lawrentian Ekphrases of Music in Aaron’s Rod”
3.20-3.45 Nick Ceramella Independent scholar, Rome, Italy. “The Hypnotic Power of Music and Dance”
OpenEdition vous propose de citer ce billet de la manière suivante :
Bénédicte Meillon (2 avril 2024). COLL Programme colloque Lawrence Nanterre 25-26/04/24. Écopoétique. Consulté le 24 mars 2025 à l’adresse https://doi.org/10.58079/w58e