PUB: The Ethics of (In-)Attention in Contemporary Anglophone Narrative, Dir. Jean-Michel Ganteau et Susana Onega

Jean-Michel Ganteau et Susana Onega, dirs. The Ethics of (In-)Attention in Contemporary Anglophone Narrative. New York et Abingdon: Routledge, 2024. 264. ISBN: 9781032733128.

https://www.routledge.com/The-Ethics-of-In-Attention-in-Contemporary-Anglophone-Narrative/Ganteau-Onega/p/book/9781032733128?srsltid=AfmBOorkoX8X8hO678_BfzMXkqOHc4JlwXR6HKnBu0E4coFi9n5RxfLu

The Ethics of (In-)Attention in Contemporary Anglophone Narrative

JEAN-MICHEL GANTEAU AND SUSANA ONEGA, EDS

Contents

List of Contributors

Acknowledgements

Introduction: The Ethics of (In-)Attention in Contemporary Anglophone Narrative

JEAN-MICHEL GANTEAU AND SUSANA ONEGA 

PART I

Frames and Readers 

1. “The thing was to make yourself invisible, she said”: Jon McGregor’s Reframing of the Norms of Perception of Working-Class Women in So Many Ways to Begin.

SUSANA ONEGA

2. Attention to What? The Poetics, Ethics and Attentional Economies in Dave Eggers’s The Parade.

MIRIAM FERNÁNDEZ-SANTIAGO

3. Interstitial Ethics: Attending to Frames of Intelligibility in Harry Parker’s Anatomy of a Soldier.

KATIA MARCELLIN

PART II

Historical Invisibilities

4. Attending to the Victims of (In)Visible Violence: Elided Potentialities Revisited in Claire Keegan’s Small Things Like These.

MERVE SARIKAYA-ŞEN

5. From Shrouded Presence to Impactful Mentorship: Drawing Attention to the Romani Housewife in Mikey Walsh’s Gypsy Boy. 

ALEJANDRO NADAL-RUIZ 

6. “Creating a Scene: Minor Literature and the Ecologies of Critical Attention.

IVAN CALLUS

PART III

The Forces of Inattention

7. Surveillance and (In-)Visibility: Reading Jenni Fagan’s The Panopticon through an Ethics of Attention. 

ÁNGELA RIVERA-IZQUIERDO

8. “I can’t be silent or invisible any longer”: Reorienting Attention and Care in Jan Carson’s The Last Resort.

PAULA ROMO-MAYOR 

9. The Ethics of Carelessness: Inattention in Kazuo Ishiguro’s Never Let Me Go.

ALICE BENNETT

PART IV

The Natural World

10. The Ecology of Attention in Inga Simpson’s Where the Trees Were.

BÁRBARA ARIZTI

11. Vibrant Matter, Polyphony and the Ecology of Attention in Sarah Moss’s Summerwater.

ANGELO MONACO 

12. The Sharpness of the Post-Pastoral: Melissa Harrison’s At Hawthorn Time.

JEAN-MICHEL GANTEAU

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